BRUCE DICKINSON - The Mandrake Project (Album Review)

1984 is generally regarded as the greatest year in metal. The release of Iron Maiden’s 'Powerslave,' Dio’s 'The Last In Line,' Judas Priest’s 'Defenders of The Faith,' Saxon's 'Crusader' are only a few examples of how great it was. Just a few months later, in January 1985, the Rock in Rio festival would open the doors of South America to heavy music, creating an everlasting bond between the bands that played there and the audience. Fast forward to 2024, and the metalheads that enjoyed the establishment of metal as a force to be reckoned with in the music industry are
Bruce Dickinson’s restless, barrier-pushing personality comes across in “The Mandrake Project”, an album that sees him take stylistic risks and explore different avenues of his songwriting. Singing as good as ever, and elevated by the tasty riff of Roy Z, metal’s favorite polymath brings us an album with an extensive musical vocabulary that will definitely please thousands of fans

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